Marxist-Asher+Lev

AS you are reading think about the following ~Marxism approach the social calss where a person is born determines their out looks How things would be differently if social calsses did not exsist Is/What is the superstructure What is the dictatorship in Jewish society or in general How does are play into social calsses
 * || [[image:http://gimg.galegroup.com/ips/ips_2_4_1_232/images/dot.gif width="14" height="12"]] || ==For an opening ativity read (or skim) the criticism below==

Salomon (1917-1943), a young German artist, painted her autobiography in the midst of World War II. During the war a German Jewish artist named Charlotte Salomon recorded the story of her life. She was 24 years old when she began her autobiography, a refugee from Nazi Germany living on the French Riviera. As autobiography, there is nothing like Salomon's work: //Life or Theater?: An Operetta.// It unfolds in 1,350 paintings of astonishing vividness and force, with acts and scenes, captions and narrative texts, dialogues, commentaries, and musical accompaniments. The characters, based on her own family and friends, have fictional names, and the whole work takes the form of a painted play. After 1980 it achieved international renown through publications, film, drama, and popular exhibits in Amsterdam, Berkeley, Los Angeles, Miami, Tel Aviv, Berlin, and elsewhere. On April 16, 1917, Salomon was born in Berlin to a family distinguished in the medical profession. But the family kept secret the fact that five of its members, including Salomon's mother, had taken their lives before her birth or in her childhood. Her father, Albert Salomon, professor at Berlin University's Medical School, married again in 1930. Through her stepmother, Paula Lindberg, a well-known mezzosoprano, Salomon first experienced the demands of love, the commitment to art, the crisis for Jews. Through Alfred Wolfsohn, an impoverished and charismatic voice coach employed by her stepmother, Salomon discovered passion, artistic conviction, and faith in self-disclosure. These influences from her stepmother and her mentor inspired her later work. When the Nazis came to power in 1933, Paula Salomon-Lindberg began working with the Jewish Cultural Association, the sole sponsor permitted for Jewish performers. Salomon was admitted to the famous Berlin Fine Arts Academy in 1935, a rarity for a Jewish student. Developing her considerable talent, she found affinities with artistic movements the Nazis were working to suppress—Expressionism, poster art, caricature, and avant-garde theater. //Life or Theater ?// registers the impact of Nazi power on one family: her grandparents decide to leave Germany; her stepmother is banned from the public stage; her father is fired from the university and thrown into a concentration camp; she herself is forced to leave the academy in 1938, then in 1939 to leave her family and Germany. Salomon joined her grandparents in Villefranche, near Nice in southern France, where they were suffering the stresses of exile. There in 1940 at age 23 she witnessed her grandmother's suicide and suddenly learned the whole truth about her relatives. Uncovering the legacy of suicide from her family and culture brought her to "the question," as she put it: "whether to take her own life or undertake something crazy and unheard of"—an autobiography in art. Reflecting back on events of the 1930s in Berlin, the autobiography helped redeem her losses by creating what she called a "song of farewell to my native land." Her thousand-part self-portrait granted substance to a life that the German "master race" presumed expendable—merely young, female, Jewish. Probably this work would not have come into being in 1941 and 1942 if Salomon had not faced the possibility of suicide in herself, had not known the danger of a Nazi-dominated Europe, and had not settled in one of its safer corners. On the French Riviera thousands of Jewish refugees found sanctuary, especially after the Italian occupation in late 1942, for the Italian authorities rejected Nazi demands to deport Jews to the deathcamp of Auschwitz in Poland. When Salomon finished the 1,300 paintings and hundreds of texts for //Life or Theater?// she gave them to a friend in Villefranche for safekeeping. Marrying another refugee, Alexander Nagler, she lived in relative security until the Germans occupied the Riviera in September 1943. Under the command of SS Captain Alois Brunner, the Gestapo conducted one of the most brutal roundups in Western Europe. Along with thousands of other Jews, she was arrested and sent by cattle transport to Poland. Giving //Life or Theater?// away, she had said: "Keep this safe: it is my whole life." Her whole life ended in October 1943 at the age of 26 in Auschwitz. After the war her father and stepmother, who had survived hidden in the Netherlands, found //Life or Theater?// in Villefranche and brought it back to Amsterdam. The original paintings now reside in Amsterdam's Jewish Historical Museum. How does the novel show social calsses Who is the dictator in Ashers life What is the struggle(s) is this novel a form of ideology How does the holocaust relate to the marxism theory Is there any intentional fallacy in the novel

AmandaD